Monday, August 22, 2011

Recipe: Steak Lettuce Wraps

A simple but (absolutely, holy crap) delicious dinner for two on a late summer day: marinated and thinly-sliced grilled steak, rolled up in lettuce leaves with a handful of herbs and other toppings.


Ingredients (serves 2)

1 lb sirloin steak
cherry tomatoes, halved
cucumber, julienned
shallots, thinly sliced
soy sauce
1-2 limes


1. Marinate the steak with soy sauce and the juice of about half a lime. The longer the better.

2. Prepare the tomatoes, cucumbers, and fresh herbs.

3. Grill the steak until desired done-ness (I always prefer medium or medium-rare, especially if the meat is of good quality). If you don't have a grill, searing it on very high heat will do.

4. Make some more soy sauce / lime juice dressing, adding a bit of sugar to taste.

5. Thinly slice the steak across the grain. Drizzle the dressing over and let it soak into the meat.

6. Roll up some steak and veggies into a lettuce leaf. Devour.

Friday, July 29, 2011

Gary, Indiana.

My fondest memories of college are of tunnels and roofs. Armed with a rough game plan and an exit strategy (though most often not), we'd get dressed in black and set out in the dead of night. It was my introduction to the thrill of not knowing what you'd find or where you'd end up, of flirting with danger just enough that you hear your heart in your ears. It was the thrill of going where other people would not imagine going.

When I graduated, there was a part of me that wanted to close the book on these antics. We managed to elude discovery in college, but one fumble now and I'd have too much on the line. Still, the urge gnaws at me sometimes - on multiple occasions I've visited penthouses or basements on campus just to see if it had a hatch or a door that looked promising. Just to see.

But while exploring campus infrastructure is necessarily a thing of the past, there is a world of urban exploration that I'm just now starting to understand, and it beckons.

I'll never forget the first time I took the interstate that cut through Gary, Indiana. The sky was pink at dusk, and against it were these enormous blue structures, pipes reaching high up emitting fumes of black smoke. Bolts and panes of steel, industrial textures, monster machinery. Cars of an abandoned train lined up in front, yellow and dirtied, covered in graffiti. The image was striking. It was beautiful in the ugliest of ways, and was something I wanted to see again, to dwell on, to capture.

I began to plan a visit to Gary in person, initially with the goal of photographing these steel mills. Quickly, though, my fascination with this rust belt imagery evolved into a fascination with the rest of Gary. In the early 1900's, U.S. Steel chose Gary as a primary operating center, which tied the city's economy closely with steel production. In the 1960's, as steel became much more competitive overseas, so began Gary's avalanche decline.

Train station.

Nowadays, all the troubles that could afflict a city, Gary has them. Unemployment, crumbling infrastructure, low educational attainment, low median income, and most notoriously, some of the highest crime rates in the country. In the Midwest, people see Gary as some sort of black hole, a place where you dip your toe in and get shot. This caricature of the city doesn't factor in the 80,000 people that still live there. It is certainly a shell of what it used to be, but it's still a living, breathing city, one that has seen dark days and glory days alike, one whose residents keep trying to exist as they have since the steel mills were in full production.

Post office, interior.

There is a main strip called Broadway, running north-south all the way through town. Streets to the west are named by presidents, and to the east they're named by states. Every other house is abandoned. There was no imminent feeling of danger driving around during the day, but there are places I wouldn't want to find myself when the sun goes down.


What would you do if you were one of these people, if you lived here? my friend Ben asked me. The thought was inconceivable. The closest I can come to understanding the people who live here is by getting a glimpse of how things used to be, and how things have changed since then. The empty places that we explored - a house, a train station, a post office - are a window into these changes.

It was with a combination of romance, sadness, and awe that I saw Gary. The goal in this kind of urban exploration is to come to understand a place in a different way, by sifting through the underlayers.

Sunday, July 10, 2011

Project Fixie.

Voila, my first-ever bike build! For me, the mechanically inept, the challenge of piecing together a bicycle was a formidable one at first, but I'm pleased to say that I built a working machine that also looks pretty snazzy on the road.


The process went like this:

STEP 1. Stripped the frame down of its original paint. I used a chemical paint-stripper, several times. To get around the lugs, I used steel wool and sand paper and scraped until my arms fell off. Then I sanded the bare metal down until it gleamed.



STEP 2. Base color of hunter green – 4 coats. Rustoleum paint.

STEP 3. After the green had thoroughly dried, I taped up the necessary parts, and painted gold stripes. This was far and away the most difficult part, in its delicacy and large room for error. I used the kind of tape that has peel-off paper backing. I measured it out carefully, cut the tape into the desired shape, put it on the bike and spray painted around the tape. When I went to remove the tape, I was terrified that a number of things would go wrong – the gold would smudge on the green, the green would chip, things would be misaligned – but all went well.



STEP 4. Clear gloss to protect the paint – 4 coats.

STEP 5. Installed headset, stem, handlebars, seatpost. (i.e. the "hardware")

STEP 6. Installed a front brake and single brake lever. Wrapped the handlebars with Cinelli natural cork tape. Shaved down some wine bottle corks and used them as bar stops. Secured the ends with hemp twine.



STEP 7. Painted the handlebars with amber shellac, 4 coats. Color turned from light amber to a warm brown, very similar to aged leather. The color matched well with my leather saddle (a Brooks knock-off, with brass bolts).




STEP 8. Installed a square-taper bottom bracket, with the help of some muscle from friends. Decided on a 46:20 gearing. Installed cog and lockring on rear wheel.


STEP 9. Pake gold crankset and All-City gold pedals. KMC gold chain, adjusted for a straight chain line and proper chain tension.


The best part of the process was making regular visits to the two bike shops in town to ask for advice and just talk about bikes in general. Whenever my cycling friends didn't have a tool I needed, the bike shop people were happy to let me camp out and use their stand and tools. I did all the mechanical work, but my choice of parts was heavily guided by the guys at the shop. The most difficult part of making this bike was not actually the building (which, condensed together, would have only taken me a single weekend), but just making sure that all the parts I used would be compatible with each other. It was like an intriguing mechanical jigsaw puzzle.

Alright, I'm going to go actually ride this thing now.